Veröffentlicht am 18.01.2013
Phil and the boys on top form
The Tour was a 2007 concert tour of Europe and North America by progressive rock band Genesis. The tour was notable for the return of drummer and vocalist Phil Collins, who left the group in 1996.
[…]
The band held a press conference in New York City on 7 March 2007 at noon EST to announce the details of the North American leg of the Turn It On Again reunion tour. This leg commenced on 7 September 2007 in Toronto, Canada at BMO Field and ended on 13 October 2007 at the Hollywood Bowl in Los Angeles, California. It was announced on 1 June that Genesis would be working with the Encore Series team at TheMusic.com to record each show of their European tour (and also done for their subsequent North American tour) for release as a 2-CD set (similar to the series done for the Who and Peter Gabriel). All shows were recorded directly off the soundboard and were previously available for either individual sale or as a complete box set of the entire tour.
[…]
In an interview with Tony Banks and Mike Rutherford, it was confirmed that both "Jesus He Knows Me" from We Can't Dance and "Abacab" from Abacab were rehearsed[13] though neither song was performed.
The complete set list was revealed following production rehearsals in Brussels, Belgium.[14] This set remained unchanged throughout the European leg of the tour:[15]
When in Rome
Duke's Intro (ab 2:13)
Turn It On Again § (ab 5:55)
No Son of Mine § (ab 12:00) Text
Land of Confusion § (ab 18:55) Text
Cage Medley § (ab 24:30) Text Interpretation siehe: Genesis - The Lamb Lies Down On Broadway – Imaginäre Figuren, auf Vinyl gefangen (Martin Klinkhardt, Deutscher Genesis-Fanclub) – Petra Gehrmanns Lamb-Übersetzung (Genesis Fan-Club)
Afterglow § (ab 37:45) Text
Hold on My Heart (ab 42:40) Text
Home by the Sea § (ab 50:00) Text §
Follow You Follow Me (ab 1:02:05) Text
Firth of Fifth (nur intrumental) (ab 1:06:25) Text
I Know What I Like (ab 1:10:55) Text
Mama Text (ab 1:19:20) §
Ripples... Text (ab 1:26:30) §
Throwing It All Away Text (ab 1:34:40) §
Domino Text (ab 1:43:10) §
Drum Duet (instrumental) (ab 1:58:15)
Los Endos (instrumental) (ab 2:01:25)
Tonight, Tonight, Tonight Text (ab 2:07:50) §
Invisible Touch Text (ab 2:11:40) §
Encore: I Can't Dance Text (ab 2:17:40) §
The Carpet Crawlers Text Übersetzung (ab 2:26:10) §
§ – performed in a lower key due to the deepening of Phil Collins's voice.
When in Rome
Duke's Intro (ab 2:13)
Turn It On Again § (ab 5:55)
No Son of Mine § (ab 12:00) Text
Land of Confusion § (ab 18:55) Text
Cage Medley § (ab 24:30) Text Interpretation siehe: Genesis - The Lamb Lies Down On Broadway – Imaginäre Figuren, auf Vinyl gefangen (Martin Klinkhardt, Deutscher Genesis-Fanclub) – Petra Gehrmanns Lamb-Übersetzung (Genesis Fan-Club)
Afterglow § (ab 37:45) Text
Hold on My Heart (ab 42:40) Text
Home by the Sea § (ab 50:00) Text §
Follow You Follow Me (ab 1:02:05) Text
Firth of Fifth (nur intrumental) (ab 1:06:25) Text
I Know What I Like (ab 1:10:55) Text
Mama Text (ab 1:19:20) §
Ripples... Text (ab 1:26:30) §
Throwing It All Away Text (ab 1:34:40) §
Domino Text (ab 1:43:10) §
Drum Duet (instrumental) (ab 1:58:15)
Los Endos (instrumental) (ab 2:01:25)
Tonight, Tonight, Tonight Text (ab 2:07:50) §
Invisible Touch Text (ab 2:11:40) §
Encore: I Can't Dance Text (ab 2:17:40) §
The Carpet Crawlers Text Übersetzung (ab 2:26:10) §
§ – performed in a lower key due to the deepening of Phil Collins's voice.
An identical setlist was performed on the North American leg of the tour,[16] with the band's producer, Nick Davis, stating that no changes are planned.[17] Tony Banks had earlier cited "In Too Deep" from Invisible Touch as a likely addition to the North American set, possibly at the expense of "Ripples" from A Trick of the Tail, but that change was not made. The only exception to the setlist was on 12 October at the Hollywood Bowl, where the last two songs had to be dropped due to the heavy rain causing problems with Tony Banks's keyboards.[13]
At the beginning of the drum duet Thompson and Collins begin drumming either side of two barstools. This idea evolved from when Collins was interviewed during the Way We Walk tour about how the duets are constructed. He said: "A lot of the patterns evolve through the tour, so the duet at the end of the tour is much longer than the one at the beginning. But initially me and Chester sit either side of a chair and drum out beats until something sticks." (Turn It On Again: The Tour, engl.Wikipedia)
Am 3. Juli 1976 habe ich Genesis zum ersten Mal gesehen – und war hin und weg. (And then there were thirty-three…, Post, 25.06.2007) Nach Second’s Out war für mich Schluß… zu kommerziell, nichts mehr, wo man sich ’ne Viertelstunde hinlegen und die Augen schließen konnte. Aber wie die Kerle die Kurve zur Kommerzialität hingekriegt haben – alle Achtung! Und hier haben Sie's allen nochmal gezeigt: Chapeau!Ich hatte beim Konzert in Hannover einige Male Tränen in den Augen…
Und wenn manche sie als die Band für Weicheier bezeichnen
- TV-Doku über Genesis Hommage an die Band für Weicheier (Bernd Graff, Süddeutsche, 10.01.2015)
na, wenn schon…
Am 3. Juli 1976 habe ich Genesis zum ersten Mal gesehen – und war hin und weg. (And then there were thirty-three…, Post, 25.06.2007) Nach Second’s Out war für mich Schluß… zu kommerziell, nichts mehr, wo man sich ’ne Viertelstunde hinlegen und die Augen schließen konnte. Aber wie die Kerle die Kurve zur Kommerzialität hingekriegt haben – alle Achtung! Und hier haben Sie's allen nochmal gezeigt: Chapeau!Ich hatte beim Konzert in Hannover einige Male Tränen in den Augen…
Und wenn manche sie als die Band für Weicheier bezeichnen
- TV-Doku über Genesis Hommage an die Band für Weicheier (Bernd Graff, Süddeutsche, 10.01.2015)
na, wenn schon…
zuletzt aktualisiert am 28.06.2015
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